| Having discussed the basics of a synthesiser in last month`s introductory article, the second part of this series gets down to some of the...
| Having discussed the basics of a synthesiser in last month`s introductory article, the second part of this series gets down to some of the...
| This circuit is intended to improve the sound of the `Digibell`, which was published in Elektor No 14(June 1976). The tones...
| The accuracy of a frequency counter is determined exclusively by the accuracy of the timebase being used. Thus if extremely precise measu...
| Having described the multiplex encoder, infra-red transmitter slotless model car track (3) and receiver in the ~ previous two art...
| In view of the current interest in magnetic levitation for applications such as hovertrains (see Elektor 22 p. 2-08) it was felt tha...
| A loudspeaker `crossover` filter invariably consists of a pair of comp- lementary Butterworth-characteristic circuits, with sto...
| The first part of this article dealt with the design considerations concerning loudspeaker crossover filters in general, and active cross...
| Encouraged by the success of their Conti! Mod-2 and Mod-3 range of instrument cases, West Hyde has launched a new comp- lementary range o...
| The Formant was an Elektor music synthesizer that's been inspiring electronics enthusiasts for decades. Recently, Elektor engineers have bee...
| 1n previous articles (`Quadrille` and `music of the spheres`, Elektor 17, September 1976, p. 910) it was noted that `Amb ison ics` was...