| A number of years ago (November 1997), we published a design for a stereo microphone preamplifier with balanced inputs and a phantom power s...
| A number of years ago (November 1997), we published a design for a stereo microphone preamplifier with balanced inputs and a phantom power s...
| In the first part of this article, we described all of the circuit boards. Now it’s time to look at how they fit together. We first describe...
| Most commercial preamplifiers and power amplifiers have a headphones output. However, because of its simplicity the sonic quality of such an...
| This stereo preamplifier is primarily intended to be used as a companion to the Valve Final Amplifier described in the April and May 2003 is...
| Since modern sound systems usually lack inputs for record players, separate MD preamplifiers are becoming increasingly popular. They are nee...
| This valve power amplifier is a push-pull design using two EL34s (or their 6CA7 US equivalents). It has been kept fairly simple to avoid pro...
| In this semiconductor age, we find valves being used increasingly often for hi-fi and guitar amplifiers, top-end condenser microphones and s...
| This power supply unit (PSU) provides hum-free and stable operating voltages for valve preamplifiers and power stages. Negative bias voltage...
| The Tube Clipper is an effects unit which can be inserted in the audio path of a stereo system. It provides that ‘valve sound’, but without...
| Although this supply was primarily designed for use with the Valved RIAA Preamplifier, we found that the inverter stage is useful in many ot...